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20th Century Eightball
Coles
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20th Century Eightball in Ottawa, ON
By None
Current price: $25.50


By None
20th Century Eightball in Ottawa, ON
Current price: $25.50
Loading Inventory...
Size: Paperback
*Product information may vary - to confirm product availability, pricing, shipping and return information please contact Coles
Trailing the success of the movie based on Clowes' graphic novel Ghost
World (1997) comes this collection of shorter stories from his alternative
comic book Eightball . Many of the pieces are tirades, albeit entertaining
ones, about things Clowes despises (perhaps the comic should have been called
Hateball ). "On Sports" details his contempt for professional athletics,
and "Art School Confidential" is an expose of pretentious, talentless poseurs.
This approach is carried to its logical peak in "I Hate You Deeply," a litany of
the "types" that annoy Clowes, from "fashion plates" to "crybabies, whiners, and
sensitive people." Clowes puts his misanthropy in abeyance for slice-of-life
stories in which he ruminates during a stroll around his neighborhood or
fantasizes about his fellow passengers on a subway. Worthwhile enough, these
earlier stories merely presage Clowes' far-more-impressive recent work in which
cynicism is presented more subtly, leavened with sympathy, and voiced by
well-developed characters. If these pieces lack the heft of Clowes' longer, more
ambitious efforts, the best of them are still masterful miniatures.
Trailing the success of the movie based on Clowes' graphic novel Ghost
World (1997) comes this collection of shorter stories from his alternative
comic book Eightball . Many of the pieces are tirades, albeit entertaining
ones, about things Clowes despises (perhaps the comic should have been called
Hateball ). "On Sports" details his contempt for professional athletics,
and "Art School Confidential" is an expose of pretentious, talentless poseurs.
This approach is carried to its logical peak in "I Hate You Deeply," a litany of
the "types" that annoy Clowes, from "fashion plates" to "crybabies, whiners, and
sensitive people." Clowes puts his misanthropy in abeyance for slice-of-life
stories in which he ruminates during a stroll around his neighborhood or
fantasizes about his fellow passengers on a subway. Worthwhile enough, these
earlier stories merely presage Clowes' far-more-impressive recent work in which
cynicism is presented more subtly, leavened with sympathy, and voiced by
well-developed characters. If these pieces lack the heft of Clowes' longer, more
ambitious efforts, the best of them are still masterful miniatures.

















