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Alceste Ou Le Triomphe D'alcide: Tragédie. Representée Deuant Sa Majesté À Fontainebleau
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Alceste Ou Le Triomphe D'alcide: Tragédie. Representée Deuant Sa Majesté À Fontainebleau in Ottawa, ON
By None
Current price: $32.78


By None
Alceste Ou Le Triomphe D'alcide: Tragédie. Representée Deuant Sa Majesté À Fontainebleau in Ottawa, ON
Current price: $32.78
Loading Inventory...
Size: Hardcover
*Product information may vary - to confirm product availability, pricing, shipping and return information please contact Coles
Cette tragédie française écrite par Philippe Quinault et mise en musique par Jean-Baptiste Lully a été représentée pour la première fois devant le roi Louis XIV en 1674. Elle raconte l'histoire d'Alceste, reine de Thessalie, qui choisit de mourir pour sauver son mari Alcide. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Cette tragédie française écrite par Philippe Quinault et mise en musique par Jean-Baptiste Lully a été représentée pour la première fois devant le roi Louis XIV en 1674. Elle raconte l'histoire d'Alceste, reine de Thessalie, qui choisit de mourir pour sauver son mari Alcide. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

















