
Give the Gift of Choice!
Too many options? Treat your friends and family to their favourite stores with a Bayshore Shopping Centre gift card, redeemable at participating retailers throughout the centre. Click below to purchase yours today!Purchase HereHome
An Apology for Actors: From the Edition of 1612, Compared with That of W. Cartwright. With an introduction and notes
Coles
Loading Inventory...
An Apology for Actors: From the Edition of 1612, Compared with That of W. Cartwright. With an introduction and notes in Ottawa, ON
By None
Current price: $1.38


By None
An Apology for Actors: From the Edition of 1612, Compared with That of W. Cartwright. With an introduction and notes in Ottawa, ON
Current price: $1.38
Loading Inventory...
Size: Kobo eBook
*Product information may vary - to confirm product availability, pricing, shipping and return information please contact Coles
Heywood is a good example of the professional dramatist who worked for Philip Henslowe, the theatrical manager, both as a playwright and an actor. By his own admission, Heywood claimed to have "either an entire hand or at least the main finger" in 220 plays, of which less than 30 survive. His best-known play, A Woman Killed with Kindness (1603), exemplifies domestic tragedy, in which sentiment and homely details are equally mingled. Heywood wrote an eloquent defense of the theater against Puritan attack called An Apology for Actors (1607-08). Heywood suggests here that the stage can both delight and teach.-Print ed.
Heywood is a good example of the professional dramatist who worked for Philip Henslowe, the theatrical manager, both as a playwright and an actor. By his own admission, Heywood claimed to have "either an entire hand or at least the main finger" in 220 plays, of which less than 30 survive. His best-known play, A Woman Killed with Kindness (1603), exemplifies domestic tragedy, in which sentiment and homely details are equally mingled. Heywood wrote an eloquent defense of the theater against Puritan attack called An Apology for Actors (1607-08). Heywood suggests here that the stage can both delight and teach.-Print ed.

















