Art of Defiance, Volume II: An Archive of Protest for Palestine is a visual and textual record of resistance in real time. Serving as a companion to Art of Defiance: Protest Graphics and Poetry for Palestine, this volume gathers a curated sequence of short-form texts protest graphics first circulated on social media beginning in October 2023. Presented largely in their original order of release, the book functions as a chronological archive of witness, dissent, and solidarity under conditions of intensifying genocide and censorship. Created in response to ongoing assault, displacement, and erasure, these works were not conceived as studio pieces or finished essays, but as urgent interventions — designed for rapid circulation, public visibility, and collective use. Many appeared simultaneously online and in the street as posters and stickers, bridging digital dissemination and physical protest space. Stark graphics, compressed language, and bold color operate together as a visual rhetoric of refusal: refusal of neutrality, refusal of disappearance, refusal of historical amnesia. The volume documents more than two years of sustained crisis while also tracing the growth of a global solidarity movement. It recognizes the labor of journalists, medics, educators, artists, students, and organizers who continue to document, heal, teach, and mobilize under extraordinary risk. It foregrounds the role of visual culture not simply as commentary, but as an active tool of political intervention — shaping perception, countering propaganda, and sustaining moral attention across borders. Unrevised and sequential, the archive preserves emotional cadence as well as political escalation: shock, grief, anger, endurance, and collective resolve. The accumulation of images and statements reveals how protest language evolves under pressure, how symbols migrate across movements, and how art functions as a portable form of testimony. Both historical record and call to action, Art of Defiance, Volume II positions documentation itself as resistance. It insists that what is seen must be remembered, what is remembered must be named, and what is named can still be contested.