Too many options? Treat your friends and family to their favourite stores with a Bayshore Shopping Centre gift card, redeemable at participating retailers throughout the centre. Click below to purchase yours today!Purchase Here
Coles Commitment The Artistic Practice of Aref El-Rayess: Changing Horses at Bayshore Shopping Centre in Ottawa, ON
*Product information may vary - to confirm product availability, pricing, shipping and return information please contact Coles
In April 1968, ten months after the Arab defeat of the 1967 June War, Aref El-Rayess’s Dimaʾ wa Hurriyya (Blood and Freedom) opened to the public in the exhibition hall of the L’Orient newspaper headquarters in Beirut, Lebanon. The 5 th of June , or, The Changing of Horses , a realist mural painting on canvas, was the exhibition’s centerpiece. With this artwork, El-Rayess declared his commitment to national liberation and socialist revolution. The Changing of Horses was presented and received as an allegory of political commitment, but the slips, silences, and repetitions in the public reception point to its excessive, disturbing, and fundamentally uncanny character. In Commitment in the Artistic Practice of Aref El-Rayess , the first comprehensive study of the work, Natasha Gasparian weaves together a social art history from the artist’s writings, exhibition reviews, guestbook comments, personal correspondences and testimonies, as well as social, political, and aesthetic shifts, particularly as they related to the debates on commitment ( iltizam ) in the aftermath of the June 1967 war. By attempting to reconstruct this history of the artwork and tracing the caesuras in the discourse around it, Gasparian exposes the social antagonism that is repressed and obfuscated in the idealized narrative sustained by El-Rayess and his audiences. She argues that the oversight in the reception—the critics’ and audiences’ inability to see—attests to the delay in grasping the work historically and signals its avant-gardism.
In April 1968, ten months after the Arab defeat of the 1967 June War, Aref El-Rayess’s Dimaʾ wa Hurriyya (Blood and Freedom) opened to the public in the exhibition hall of the L’Orient newspaper headquarters in Beirut, Lebanon. The 5 th of June , or, The Changing of Horses , a realist mural painting on canvas, was the exhibition’s centerpiece. With this artwork, El-Rayess declared his commitment to national liberation and socialist revolution. The Changing of Horses was presented and received as an allegory of political commitment, but the slips, silences, and repetitions in the public reception point to its excessive, disturbing, and fundamentally uncanny character. In Commitment in the Artistic Practice of Aref El-Rayess , the first comprehensive study of the work, Natasha Gasparian weaves together a social art history from the artist’s writings, exhibition reviews, guestbook comments, personal correspondences and testimonies, as well as social, political, and aesthetic shifts, particularly as they related to the debates on commitment ( iltizam ) in the aftermath of the June 1967 war. By attempting to reconstruct this history of the artwork and tracing the caesuras in the discourse around it, Gasparian exposes the social antagonism that is repressed and obfuscated in the idealized narrative sustained by El-Rayess and his audiences. She argues that the oversight in the reception—the critics’ and audiences’ inability to see—attests to the delay in grasping the work historically and signals its avant-gardism.
Coles is renowned for its outstanding customer service and great selection of books. Along with the vast array of magazines, stationary, audio-books, children's literature, fiction, non-fiction and reference books, you can find accessories to make your reading experience more pleasurable. We can recommend the very best in reading today. We will help you search our titles for exactly what you need, and if we do not have it in stock, we will order it for you.
