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David LaChapelle: Landscape
Coles
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David LaChapelle: Landscape in Ottawa, ON
By None
Current price: $60.00


By None
David LaChapelle: Landscape in Ottawa, ON
Current price: $60.00
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Size: Paperback
*Product information may vary - to confirm product availability, pricing, shipping and return information please contact Coles
The latest monograph from David LaChapelle (born 1963) comprises two separate series, Gas Station and Refineries , each of which was shot on location in the rainforests of Maui and on the coastlines of California. This idyllic scenery is brutally punctured by LaChapelle's scale models of disturbingly dazzling oil refineries and petrol stations with bright, fluorescent smokestacks--handcrafted from cardboard and a vast array of recycled materials from egg cartons to tea canisters, hair curlers and other by-products of our petroleum-based, disposability-obsessed culture. The striking contrast between the fueling stations and refineries and their naturalistic backdrops is both captivating and repelling: though the natural world seems on the verge of engulfing these man-made creations, the eerie, unnaturally lit buildings suggest the extent of the destruction already caused, even as their chromatic glare distracts from their function.
The latest monograph from David LaChapelle (born 1963) comprises two separate series, Gas Station and Refineries , each of which was shot on location in the rainforests of Maui and on the coastlines of California. This idyllic scenery is brutally punctured by LaChapelle's scale models of disturbingly dazzling oil refineries and petrol stations with bright, fluorescent smokestacks--handcrafted from cardboard and a vast array of recycled materials from egg cartons to tea canisters, hair curlers and other by-products of our petroleum-based, disposability-obsessed culture. The striking contrast between the fueling stations and refineries and their naturalistic backdrops is both captivating and repelling: though the natural world seems on the verge of engulfing these man-made creations, the eerie, unnaturally lit buildings suggest the extent of the destruction already caused, even as their chromatic glare distracts from their function.

















