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Coles How to Tell a Stranger About Rock and Roll: the Rise of Critic at Bayshore Shopping Centre in Ottawa, ON
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A spirited group biography of the critics who elevated rock music from teen entertainment to an art form, and established Dylan, the Beatles, and the Rolling Stones as the seers of a generation.
In the mid-1960s, a handful of young, inexperienced writers began writing seriously about rock and roll in little magazines and major dailies, and as no one had done this before, the impact was immediate. Robert Christgau and Ellen Willis published brash, brainy essays about how mass culture could be liberating in The Village Voice and The New Yorker, while Greil Marcus infused the early issues of Rolling Stone with his expertise in American myths. When Jon Landau deemed Cream to have run out of ideas, Eric Clapton broke up the band. In due time, Lester Bangs would shake up the scene with his wildly expressive writing, injecting a dose of rock rhythm into pieces like “James Taylor Marked for Death” (which was actually a tribute to the garage rock of the Troggs).
Scott Borchert’s How to Tell a Stranger About Rock and Roll documents the close-knit group of critics who made rock aware of itself in Creem, Crawdaddy , and elsewhere. Friends, rivals, and sometimes lovers, they argued their way through the music’s most vital years. Their efforts culminated in Landau anointing Bruce Springsteen the incarnation of “rock and roll future” (and then becoming Springsteen’s producer and manager, and helping to make him so), and in landmark works such as Marcus’s "Mystery Train" and Christgau’s "Consumer Guide" columns. An esteemed cultural historian, Borchert draws on interviews with the critics themselves and original research to tell this vibrant tale, and does so with wit, warmth, and a driving beat.
A spirited group biography of the critics who elevated rock music from teen entertainment to an art form, and established Dylan, the Beatles, and the Rolling Stones as the seers of a generation.
In the mid-1960s, a handful of young, inexperienced writers began writing seriously about rock and roll in little magazines and major dailies, and as no one had done this before, the impact was immediate. Robert Christgau and Ellen Willis published brash, brainy essays about how mass culture could be liberating in The Village Voice and The New Yorker, while Greil Marcus infused the early issues of Rolling Stone with his expertise in American myths. When Jon Landau deemed Cream to have run out of ideas, Eric Clapton broke up the band. In due time, Lester Bangs would shake up the scene with his wildly expressive writing, injecting a dose of rock rhythm into pieces like “James Taylor Marked for Death” (which was actually a tribute to the garage rock of the Troggs).
Scott Borchert’s How to Tell a Stranger About Rock and Roll documents the close-knit group of critics who made rock aware of itself in Creem, Crawdaddy , and elsewhere. Friends, rivals, and sometimes lovers, they argued their way through the music’s most vital years. Their efforts culminated in Landau anointing Bruce Springsteen the incarnation of “rock and roll future” (and then becoming Springsteen’s producer and manager, and helping to make him so), and in landmark works such as Marcus’s "Mystery Train" and Christgau’s "Consumer Guide" columns. An esteemed cultural historian, Borchert draws on interviews with the critics themselves and original research to tell this vibrant tale, and does so with wit, warmth, and a driving beat.
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