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On Narrative and Becoming is both an intimate and a political act, an autobiographical genre-blendingnovel that traces one woman's journey across decades, continents, and interior landscapes. With emotional precision and psychological depth, Kismatali invites readers to witness the making of a self, and the courage required to speak where silence once lived.
Arriving in Toronto in 1968 at age 20, Kismatali began the long process of her becoming*,* through study, work, motherhood, and persistent negotiation of identity in a new land. Her writing confronts the double silencing of Asian-Caribbean women, first within the broader discourse, and again within patriarchal literary traditions that have rendered them one-dimensional.
"At thirteen, becoming highly educated was not within the realm of possibilities for me or my siblings. With parents who believed that we were born to a certain station in life*,* and should just accept it and wear it like a skin unquestioned and unchanging. It left no room for dreams of a better life.
"I have never been off the tiny island of Trinidad where I was born. My life there was small in what I was allowed to think, voice, or experience. Tucked into the folds of extreme poverty, rigid family rules, social customs, and the rhythm of a life that saw little change. What I am doing now seems impossible. I know no one in this huge new world, and no one knows me. But I had to come."
On Narrative and Becoming is both an intimate and a political act, an autobiographical genre-blendingnovel that traces one woman's journey across decades, continents, and interior landscapes. With emotional precision and psychological depth, Kismatali invites readers to witness the making of a self, and the courage required to speak where silence once lived.
Arriving in Toronto in 1968 at age 20, Kismatali began the long process of her becoming*,* through study, work, motherhood, and persistent negotiation of identity in a new land. Her writing confronts the double silencing of Asian-Caribbean women, first within the broader discourse, and again within patriarchal literary traditions that have rendered them one-dimensional.
"At thirteen, becoming highly educated was not within the realm of possibilities for me or my siblings. With parents who believed that we were born to a certain station in life*,* and should just accept it and wear it like a skin unquestioned and unchanging. It left no room for dreams of a better life.
"I have never been off the tiny island of Trinidad where I was born. My life there was small in what I was allowed to think, voice, or experience. Tucked into the folds of extreme poverty, rigid family rules, social customs, and the rhythm of a life that saw little change. What I am doing now seems impossible. I know no one in this huge new world, and no one knows me. But I had to come."
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