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Reborn: A Screenwriter’s Rise to Entertainment Throne: Reborn: A Screenwriter’s Rise to Entertainment Throne

Reborn: A Screenwriter’s Rise to Entertainment Throne: Reborn: A Screenwriter’s Rise to Entertainment Throne in Ottawa, ON

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Reborn: A Screenwriter’s Rise to Entertainment Throne: Reborn: A Screenwriter’s Rise to Entertainment Throne

By None

Reborn: A Screenwriter’s Rise to Entertainment Throne: Reborn: A Screenwriter’s Rise to Entertainment Throne in Ottawa, ON

Current price: $5.99
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Size: Kobo eBook

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One lightning strike. Two lives. A whole entertainment empire to conquer. Jack Harper—2024 film student, East Asian pop culture fanatic, future director in the making—didn't expect his thesis all-nighter to end with a fatal jolt of electricity. But when he wakes, he's not in his dorm. He's in 1994 Tokyo, trapped in the body of Satō Shōta: a broke, depressed dropout, adrift in Japan's brutal post-bubble Great Recession, where jobs are scarcer than hope. No connections. No money. No way back. But Jack/Satō has one weapon the 90s don't: a brain stuffed with 30 years of future TV gold. He digs in, dusts off a forgotten gem—Tales of the Unusual—and sets his sights on Tokyo Broadcasting System (TBS), the gatekeeper to Japan's entertainment world. But breaking in means partnering with Murakami Iori, a sharp, undervalued female producer fighting to shatter the industry's misogynistic glass ceiling. It means taming a crew of underdogs: a washed-up director (Fujii) still haunted by his last flop, a child actor (Michiko) hiding a dark edge behind her "sweet" facade, and extras clinging to their dreams like lifelines. And then there's the enemy: Ishii Jirō, a nepotism-fueled producer with a prime-time slot, A-list stars, and a grudge. He sees Satō's late-night underdog show as a joke—until it starts stealing his viewers. From cold ramen dinners and stolen office naps to ratings wars that set Tokyo's TV screens ablaze, Satō must turn nostalgia into innovation, chaos into chemistry, and his second chance into a revolution. Can a time-traveling screenwriter rewrite his fate… and claim Japan's entertainment throne? The camera's rolling. The clock's ticking. And in 1990s Tokyo, the only rule is: Prove you belong—before the credits roll.
One lightning strike. Two lives. A whole entertainment empire to conquer. Jack Harper—2024 film student, East Asian pop culture fanatic, future director in the making—didn't expect his thesis all-nighter to end with a fatal jolt of electricity. But when he wakes, he's not in his dorm. He's in 1994 Tokyo, trapped in the body of Satō Shōta: a broke, depressed dropout, adrift in Japan's brutal post-bubble Great Recession, where jobs are scarcer than hope. No connections. No money. No way back. But Jack/Satō has one weapon the 90s don't: a brain stuffed with 30 years of future TV gold. He digs in, dusts off a forgotten gem—Tales of the Unusual—and sets his sights on Tokyo Broadcasting System (TBS), the gatekeeper to Japan's entertainment world. But breaking in means partnering with Murakami Iori, a sharp, undervalued female producer fighting to shatter the industry's misogynistic glass ceiling. It means taming a crew of underdogs: a washed-up director (Fujii) still haunted by his last flop, a child actor (Michiko) hiding a dark edge behind her "sweet" facade, and extras clinging to their dreams like lifelines. And then there's the enemy: Ishii Jirō, a nepotism-fueled producer with a prime-time slot, A-list stars, and a grudge. He sees Satō's late-night underdog show as a joke—until it starts stealing his viewers. From cold ramen dinners and stolen office naps to ratings wars that set Tokyo's TV screens ablaze, Satō must turn nostalgia into innovation, chaos into chemistry, and his second chance into a revolution. Can a time-traveling screenwriter rewrite his fate… and claim Japan's entertainment throne? The camera's rolling. The clock's ticking. And in 1990s Tokyo, the only rule is: Prove you belong—before the credits roll.

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