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Reflexions Critiques Sur La Poesie Et Sur La Peinture, Part 1
Coles
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Reflexions Critiques Sur La Poesie Et Sur La Peinture, Part 1 in Ottawa, ON
By None
Current price: $30.80


By None
Reflexions Critiques Sur La Poesie Et Sur La Peinture, Part 1 in Ottawa, ON
Current price: $30.80
Loading Inventory...
Size: Paperback
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Publié pour la première fois en 1719, les Réflexions Critiques sont l'un des premiers essais à explorer la relation entre la poésie et la peinture. L'auteur, Dubos, examine la manière dont ces deux formes d'art se reflètent mutuellement et offre des réflexions sur les expériences esthétiques et émotionnelles qu'elles génèrent. Cette première partie de l'ouvrage aborde les caractéristiques de la poésie, la nature de la beauté et la fonction de l'expression artistique.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publié pour la première fois en 1719, les Réflexions Critiques sont l'un des premiers essais à explorer la relation entre la poésie et la peinture. L'auteur, Dubos, examine la manière dont ces deux formes d'art se reflètent mutuellement et offre des réflexions sur les expériences esthétiques et émotionnelles qu'elles génèrent. Cette première partie de l'ouvrage aborde les caractéristiques de la poésie, la nature de la beauté et la fonction de l'expression artistique.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

















