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Coles Residual Figuration in Samuel Beckett and Alberto Giacometti at Bayshore Shopping Centre in Ottawa, ON
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In 1945, Swiss sculptor Alberto Giacometti (1901-66) brought back to Paris six matchboxes filled with the work of his war years: minute figurines that crumbled upon a single touch. Around this time, Irish playwright Samuel Beckett (1906-89) began writing plays, first Eleutheria and then Waiting for Godot . When they came together in 1961 to collaborate on a re-staging of Godot, both had turned their attention to different types of figures: Giacometti to lanky, attenuated figures that seem to erode into their environment, and Beckett to increasingly disembodied characters, such as Henry and Ada in Embers .
What can we make of this turn in depicting figures that seem to make and unmake themselves in our processes of perceiving them? Through a close examination of Beckett's dramatic works and Giacometti's art, Lin Li traces the development of this peculiar type of figuration and uncovers its implications on personhood, rhetoric and inter-medial reading.
Lin Li is research associate at the University of Antwerp.
In 1945, Swiss sculptor Alberto Giacometti (1901-66) brought back to Paris six matchboxes filled with the work of his war years: minute figurines that crumbled upon a single touch. Around this time, Irish playwright Samuel Beckett (1906-89) began writing plays, first Eleutheria and then Waiting for Godot . When they came together in 1961 to collaborate on a re-staging of Godot, both had turned their attention to different types of figures: Giacometti to lanky, attenuated figures that seem to erode into their environment, and Beckett to increasingly disembodied characters, such as Henry and Ada in Embers .
What can we make of this turn in depicting figures that seem to make and unmake themselves in our processes of perceiving them? Through a close examination of Beckett's dramatic works and Giacometti's art, Lin Li traces the development of this peculiar type of figuration and uncovers its implications on personhood, rhetoric and inter-medial reading.
Lin Li is research associate at the University of Antwerp.
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