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Coles The Tragic as World-Law and Humor as the Aesthetic Form of the Metaphysical: Monographs from the Borderlands of Real-Dialectics at Bayshore Shopping Centre in Ottawa, ON
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What if tragedy were not merely a literary form, but the law of the world itself? In Das Tragische als Weltgesetz und der Humor als ästhetische Gestalt des Metaphysischen, Julius Bahnsen develops one of the darkest aesthetic theories of nineteenth-century German philosophy. For Bahnsen, the tragic arises from the real contradictions of existence: divided duties, fractured will, guilt without simple fault, fate without consolation, and ethical demands that cannot be reconciled. The first part examines tragic character, moral collision, peripety, catastrophe, guilt, fate, and the relation between tragedy in life and tragedy in art. The second part turns to humour, not as light entertainment, but as the aesthetic form of metaphysical insight: a way of looking back upon contradiction, suffering, and world-pain from the strange elevation of comic self-awareness. Standing between Schopenhauerian pessimism, post-Hegelian dialectics, aesthetics, ethics, and literary theory, this work is a concentrated statement of Bahnsen’s real-dialectical vision: reality is not harmonized contradiction, but contradiction itself.
What if tragedy were not merely a literary form, but the law of the world itself? In Das Tragische als Weltgesetz und der Humor als ästhetische Gestalt des Metaphysischen, Julius Bahnsen develops one of the darkest aesthetic theories of nineteenth-century German philosophy. For Bahnsen, the tragic arises from the real contradictions of existence: divided duties, fractured will, guilt without simple fault, fate without consolation, and ethical demands that cannot be reconciled. The first part examines tragic character, moral collision, peripety, catastrophe, guilt, fate, and the relation between tragedy in life and tragedy in art. The second part turns to humour, not as light entertainment, but as the aesthetic form of metaphysical insight: a way of looking back upon contradiction, suffering, and world-pain from the strange elevation of comic self-awareness. Standing between Schopenhauerian pessimism, post-Hegelian dialectics, aesthetics, ethics, and literary theory, this work is a concentrated statement of Bahnsen’s real-dialectical vision: reality is not harmonized contradiction, but contradiction itself.
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