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Coles Vampyres: Genesis and Resurrection: from Count Dracula to Vampirella at Bayshore Shopping Centre in Ottawa, ON
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An expanded, fully illustrated, and up-to-date edition of the classic cultural history of vampires
Vampyres is a comprehensive and generously illustrated history and anthology of vampires in literature, from the folklore of eastern Europe to the Romantics and beyond. It incorporates extracts from a huge range of sources—from Bram Stoker’s detailed research notes for Dracula to penny dreadfuls, to Angela Carter’s The Bloody Chambe r (new to this edition) which is analyzed by the author in a broader cultural context.
This revised and expanded edition of the 1978 classic brings Vampyres up to date with twenty-first-century vampire literature, including new text extracts, commentary, and a revised introduction. For the first time, Christopher Frayling also explores the development of the vampire in the visual arts in four color-plate sections, with illustrations ranging from eighteenth-century prints to twenty-first-century film stills, demonstrating the enduring appeal of the vampire from popular press to fine art and, finally, to film.
An expanded, fully illustrated, and up-to-date edition of the classic cultural history of vampires
Vampyres is a comprehensive and generously illustrated history and anthology of vampires in literature, from the folklore of eastern Europe to the Romantics and beyond. It incorporates extracts from a huge range of sources—from Bram Stoker’s detailed research notes for Dracula to penny dreadfuls, to Angela Carter’s The Bloody Chambe r (new to this edition) which is analyzed by the author in a broader cultural context.
This revised and expanded edition of the 1978 classic brings Vampyres up to date with twenty-first-century vampire literature, including new text extracts, commentary, and a revised introduction. For the first time, Christopher Frayling also explores the development of the vampire in the visual arts in four color-plate sections, with illustrations ranging from eighteenth-century prints to twenty-first-century film stills, demonstrating the enduring appeal of the vampire from popular press to fine art and, finally, to film.
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